Exhibition on the Depiction of the Annunciation by Early Northern Rena :: essays research papers

The annunciation is the very moment of the Incarnation when the Holy Ghost overshadowed the virginal and the Child conceived in her womb, the consummation of her marriage to God. (p.84 text edition)          The Annunciation by Rogier caravan der Weyden, completed around 1435, is a 33 7/8 x 36 1/4 panel, which once was part of a triptych. The image is of bloody shame in a bedchamber, seated by the light of a window at the right, positioned on the floor in a perspective that implies that she had been busy reading. The way that she is seated is similar to Campins Merode Altarpiece. (p.125 textbook) Gabriel seems to bloody shames back with a evenhandedly solemn face as Mary turns her head towards him.     According to the text, Rogier uses bold lighting effects, graceful figures, and plunging perspectives, but allows the figures to ache out prominently against a more subdued background. (p. 126 textbook) Through a back window, the countryside can be check up onn, shoannex that this is a daytime setting. Symbolically, the textbook states that this scene is a thalamus virginis, and that in effect, Mary and God are symbolically sharing a marriage bedchamber. This can be explained by the painting of Christ on a medallion hanging from the back of the bed.      avant-garde Eycks rendition of this theme, Annunciation, is thought to be the left wing of a triptych. Completed around 1435-37, it is a panel transferred to canvas, 36 1/2 x 14 3/8. Here we see Mary in a church with both arms somewhat elevated in almost surprise fashion. Mary doesnt appear too happy or concerned even, and both she and Gabriel seem relatively neutral in emotion, considering the situation.     Van Eyck depicts the moment when the Old Dispensation became the New. (p.104 textbook) some(a) symbolism includes Jehovah in the stained glass window above Mary, seen with the seraphim that Isaiah envisioned of the Lord. Seven rays of light protrude from the clerestory window in the upper left of the piece, symbolizing the desention of the Holy Ghost. The stool in the demoralize right of the panel symbolizes Isaiahs words, heaven is my Throne, the earth is my footstool. (p.104 textbook) The white lilies dally Marys purity.     The Annunciation by Jacquemart de Hesdin, and possibly his shop, dates to around 1400. This piece, is from the Tres-Belles de Jehan de France, Duc de Berry. Mary is seated inside an open structure, as usual, disturbed by her pious reading.